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Like "Opera 101", its successful predecessor, "Ballet 101" takes an already popular yet sometimes intimidating subject and makes it accessible and understandable for everyone. Noted dance critic and teacher Robert Greskovic has written an entertaining, reader-friendly book that provides everything the novice needs to learn and to enjoy the ballet .
- Sales Rank: #6752033 in Books
- Published on: 1998-03
- Original language: English
- Number of items: 1
- Binding: Hardcover
Amazon.com Review
Robert Greskovic's enthusiasm for ballet is infectious. The combination of ideal bodies moving into wondrous shapes, beautiful music, and often fantastic sets and costumes makes it, in his opinion, a near perfect art form. Still, many art lovers who regularly visit museums and galleries and think nothing of an evening at the opera or theater practically panic at the thought of sitting through a ballet. Ballet 101 should ease those people's fears. Greskovic starts off with a lively but solid history of ballet, then covers the training of a dancer. These two elements alone offer an excellent foundation for understanding what's going on on-stage. The book also includes clear information about the logistics of a performance--from the conductor's arrival in the orchestra pit to the final curtain call, no pique, glissade, or arabesque is left unexplained. After covering these basics, Greskovic examines 14 ballets in great detail--most are classics like Les Sylphides, but a number of modern treasures like Balanchine's Apollo are also covered. For readers yearning to take in more dance than their local ballet company offers in a season, the book includes an extensive videography as well as excellent suggestions for further reading. The tone of Ballet 101 is serious without being dry and informative without being condescending--a great find for anyone anxious to learn more about this often under-appreciated art form.
From Publishers Weekly
"There are no rules to making your way through the world of ballet," writes Greskovic in his valuable introduction to the form. There may be no rules, but a little guidance is a good thing, and Greskovic makes a fine Virgil to a hapless Dante. A dance teacher and critic, Greskovic goes far beyond the bluffers' guides that have come before. He begins with a sketch of ballet's historical roots in the courts of Europe, highlighting key characters and influences, partnerships and rivalries, and thereby shows the crucial influence of earlier people and practices on current performance. This sets the stage for an overview of the roles traditionally played by men and women, the various stages a ballet goes through before the performance and an explanation of how to view the structures of the dance and recognize standard movements and positions. Armed with the fundamentals, the reader can see that "ballet is an art of standards and traditions that need room to grow but not license to alter arbitrarily." In the final third of the book, he takes the reader on a guided tour of a dozen of ballet's most popular and significant works, recommending available videos for the critical visual and aural experience. In very straightforward, engaging prose bolstered always by research and understanding, Greskovic demystifies what can seem?especially if you listen to its more jealous adherents?to be an esoteric art form.
Copyright 1998 Reed Business Information, Inc.
Review
Greskovic is one of the finest ballet critics in America .... a highly intelligent, winningly enthusiastic handbook for the adult convert to ballet. -- The New York Times Book Review, Terry Teachout
Most helpful customer reviews
26 of 26 people found the following review helpful.
Informative, but somewhat awkwardly and carelessly written
By J Jacob Jingleheimer Schmidt
Reading this book was a good learning experience -- the author, clearly, knows his stuff; at the same time, it's a bit awkward, hard to read (somewhat meandering, artificially florid, disjointed at times, with proofreading snafus -- for example, "graphein" is said to be a German word: obviously a typo made in haste) -- overall, I wish the writing were simpler, more to the point; it'd be great if an editor kneaded it all into a more graceful literary shape.
Recommended though: although the book can be improved, overall it's informative, quite good for a novice.
PS. When reading reviews on this page, please be careful to distinguish between bona-fide reviews by real readers and phony commercial blurbs by publishers' flunkeys who dishonestly use the amazon review capability to post advertizing copy here. A case in point, a review right above, by "D. Donovan, Editor/Sr. Reviewer": visit this person's reviews page and count the number of reviews posted in a single day. For example, on April 26, no less than forty (40!) reviews were added by this "reviewer", and so on, nearly every day, back to the beginning of time. No one can read forty books a day every day, to say nothing of reviewing them afterwards. I've discovered lately that this is a very widespread practice here. Beware! Not every reviewer posting something here is honest.
9 of 11 people found the following review helpful.
Good book, excellent video reviews
By A Customer
A really nice history of ballet, with detailed chapters on key ballets. His comments are all referenced to videotapes of these ballets, so you can watch and read. The appendix with a list of the available ballet tapes is worth the price alone-- we read his comments and then search Amazon.com to order the tapes.
8 of 12 people found the following review helpful.
a little bit flat-footed
By Judge Knott
This book is proof that a good editor can make all the difference. This might have been a great guide, but unfortunately its editor let it wander off in the wrong direction.
There's no question that Robert Greskovic knows what he's talking about. He is a talented writer with charm and all manner of neat little anecdotes. But the problem with this book is how he spends his time.
The book is 600 pages long, but regrettably half of it is composed of cheesy "let-me-walk-you-through-it-and-tell-you-what-you're-seeing" descriptions of twelve famous ballets available for home viewing on videotape. Some 300 pages of that stuff.
The remaining 300 pages, though, are very interesting. In fact, in reading that first half of the book, you will get a very good idea of the history of ballet, and the names of its major shapers, stars, and proponents. Also, the glossary at the end of the book is both clear and generous.
All in all, this book doesn't really come through on its promise. It's sort of an encyclopedia article on the history of ballet worldwide glued onto "Leonard Maltin Goes to the Ballet." And the whole notion of teaching readers how to go to the ballet and appreciate it sort of gets left in the wings.
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